But Jean Nouvel should be forgiven for resurrecting old ghosts. His Copenhagen Concert Hall, which opened here on Saturday evening, is a loving tribute to Hans Scharoun’s 1963 Berlin Philharmonie, whose cascading balconies made it one of the most beloved concert halls of the postwar era. And Mr. Nouvel has encased his homage in one of the most gorgeous buildings I have recently seen: a towering bright blue cube enveloped in seductive images. [...]
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It is in darkness that the building comes fully to life. A montage of video images is projected across the cube’s fabric surface at night, transforming it into an enormous light box. Drifting across the cube’s surfaces, the images range from concert performers and their instruments to fragments of form and color.
This is the intoxicating medium of late-capitalist culture. You can easily imagine boxes of detergent or adult chat-line numbers finding their way into the mix. [...]
As video images wash over the panels, the pictures break apart so that you perceive them only in fragments, like reflections in broken glass. More images stream across the walls. The effect is a mounting intensity that verges on the psychedelic. [...]
More: The New York Times, Photo: The New York Times